Collages
Collages combine the most varied elements. They allow both voluntary and cultural reiterations, and activate connections in our living memory.
Each collage thus constitutes an image under construction, a sort of "Worlds of worlds". To model these “second level languages” enunciated by the semiologist Paolo Fabri. These models thus allow rapid associations of elements, which confront different fields of experience.
Each collage thus constitutes an image under construction, a sort of "Worlds of worlds". To model these “second level languages” enunciated by the semiologist Paolo Fabri. These models thus allow rapid associations of elements, which confront different fields of experience.
This method also makes it possible to propose different contexts, but also other narrations in order to develop new well-dissociated images, which will then in turn be reintroduced into other collages, until they come closest possible from our universal “live memory”.
My vision is and remains poetic.











